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Posts Tagged ‘Zeeland’

Before my 3x great-grandparents Boudewijn and Johanna Remynse DeKorn immigrated to the United States, they had three children, Geertruit (1848), Dirk or Richard (1851), and Maria or Mary (1855). Then a fourth child, Adriana (Jennie), was born in 1859 in the United States (Ottawa, Michigan).

Sadly, little Geertruit passed away before she was nine months old–and before the other children were born.


Artist: Hendrik Valkenburg 1826-1896

This is the record of her death–second entry on the left side.

 

TRANSCRIPTION, thanks to a kind Facebook group member

Soort akte: Overlijdensakte Death Record
Aktenummer: 15 record number
Aktedatum:1849 year
Gemeente: Kapelle city
Overlijdensdatum: 6-5-1849 death date May 6 1849
Overlijdensplaats: Kapelle death place
Overledene: Geertruit de Korne person who died
Geboorteplaats: Kapelle birth place
Geslacht: Vrouwelijk gender female
Leeftijd: 8 maanden age 8 month
Vader: Boudewijn de Korne father
Leeftijd: 32 age
Beroep: Arbeider Job
Moeder: Janna Remijnsen mother
Toegangsnummer: 25 Burgerlijke Stand Zeeland (1796) 1811-1980, (1796) 1811-1980
Inventarisnummer: KAP-O-1849

 

TRANSLATION, thanks to Google:

Type of certificate: death certificate Death Record

Act number: 15 record number

Action date: 1849 year

Municipality: Kapelle city

Date of death: 6-5-1849 death date May 6 1849

Death place: Kapelle death place

The deceased: Geertruit de Korne person who died

Place of birth: Kapelle birth place

Gender: Female gender female

Age: 8 months age 8 month

Father: Boudewijn de Korne father

Age: 32 age

Occupation: Worker Job

Mother: Janna Remijnsen mother

Access number: 25 Civil Registry Zeeland (1796) 1811-1980, (1796) 1811-1980

Inventory number: KAP-O-1849

 

As with most of the European records of this time period, there is no mention of the cause of death. It’s perhaps particularly sad that the first child that my great-great-great grandparents had passed away. They wouldn’t have known that they would have three healthy children who would live long lives and have their own children.

RIP, little Geertruit

Geertruit’s family (missing her photo and that of her mother)

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This will be my last post until September. I am taking off the month of August. I hope to catch up a little on my research (and my sleep). See you in a month!

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Those of you who have been reading The Family Kalamazoo for a time know that I published a chapbook this past year based on my research findings, my imagination, and some historical knowledge. Kin Types is a collection of lyric poems, prose poems, and flash nonfiction.

On Monday I woke up to discover that Kin Types was a finalist for the prestigious Eric Hoffer Award. It’s in stellar company.. This recognition validates the work I did on the book and on this blog. Best of all, the book gets a gold foil sticker for the cover ;).

It will kind of look like this when the sticker is put on the book (only not such a large sticker).

If you click through the link to the Amazon page, the book can be ordered for a real deal right now; check it out. To order through Barnes & Noble, try this link.

 

 

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I asked the amazing Val Erde at Colouring the Past to color the original photograph of my great-grandfather Adrian Zuidweg (Adriaan Zuijdweg) in his Dutch army uniform. I’ve posted the original before.

Adriaan Zuijdweg

The photograph was taken in Bergen op Zoom, which is in the south of the Netherlands and is not his hometown of Goes, which is in Zeeland. Val thought it possible that Adrian had to serve  because the Dutch were embroiled in the Aceh War. It was also known as the Dutch War or the Infidel War (1873–1904) and was an armed military conflict between the Sultanate of Aceh and the Kingdom of the Netherlands. The culminiation was that it consolidated Dutch rule over modern-day Indonesia.

My grandfather never told me where his father served, only that he had gone AWOL because his superior had a contagious disease. Since he immigrated to the United States in 1893 at the age of 22, he could only have been 22 or younger in the photograph.

What a beautiful uniform he had! Val tells me that the odd-shaped chevron on his uniform identifies him as a sergeant. Here he is in living color.

 

I’m so grateful to Val for the beautiful work she’s done here. This is the final version after Val made a correction surrounding the cigar.

 

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Today kicks off Women’s History Month, which is celebrated throughout the month of March. Nobody can work on their family history and genealogy and not be confronted with the imbalance between the history of men and the history of women. The mere fact that women are so difficult to find because of the historic practice of taking on their husband’s surnames is enough, but there are other factors, as well. For instance, I only have to examine the history of my own ancestors to see that European and American women, until fairly recently, worked at outside jobs but their occupations rarely resulted in careers.  Sometimes they worked outside the home for decades, but often, once women married, they quit their jobs and began to have children.

When I wrote the poems and short stories in my chapbook Kin Types I consciously tried to bring the lives of these “invisible” women to life. Here is a 53 second video my daughter made of the book last summer.

 

As you probably realize, the research and the writing itself was a labor of love. The book is available through Amazon, Barnes & Noble, and Finishing Line Press. If you click through the next image, it leads to the Amazon site.

There are other wonderful poems about women and history. Here is a favorite poem by the late great Adrienne Rich. I am only posting the beginning and then you have to follow the link for the rest because WordPress does not allow for the specific formatting that some poems need.

This poem investigates the life of Caroline Herschel, the younger sister of astronomer William Herschel. Although she had to do a lot of her brother’s bidding during her life, she eventually learned to love astronomy and became an esteemed astronomer after discovering several comets.  There are an unknown number of women like this throughout history because most of them were not rewarded during their lifetimes as Caroline Herschel was. For instance, how much did Vivian Eliot help her husband T. S. Eliot with his writing? Einstein’s first wife Mileva Maric was also a physicist and might have co-authored the Theory of Relativity with Einstein, but she got no credit.

Planetarium

BY ADRIENNE RICH

Thinking of Caroline Herschel (1750—1848)
astronomer, sister of William; and others.

A woman in the shape of a monster

a monster in the shape of a woman

the skies are full of them

 

a woman      ‘in the snow

among the Clocks and instruments

or measuring the ground with poles’

 

in her 98 years to discover

8 comets

Continue here: Planetarium

This woman is taking a much-needed break next week. See you the week after!

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There is so much to see and research in every photograph, every document, and every story. It’s no wonder I always feel that I have not exhausted a topic. One of those topics is the hat that Jennie Zuidweg (wife of Johannes and mother of Lucas who died on the anchor) wore in her photos. She wore it when she was younger and, no doubt, living in the Netherlands–specifically Goes, Zeeland.

And she wore it when she was old and living in Kalamazoo, Michigan.

And then I saw another Dutch relative wearing the hat.

I put all this in the back of my mind, and then on a Dutch Facebook group somebody mentioned a type of hat, and it clicked in my head that I needed to research this hat.

What I found is that this type of hat seems to be called a Kapothoed. According to Google translation, this means hood hat or bonnet. So I did a Google search of Kapothoed. Although all that comes up are not the same, there are several that are.

Google Search for Kapothoed

and from Pinterest.

Kapothoed

What this shows me is that what I assumed to be an old-fashioned country bonnet was really an actual style that existed in the Netherlands. Some of the bonnets or kapothoed that I found by searching Dutch museum collections online are closer to the head, but there are some that are high like these.

Here is a high one from Europeana Collections, an online digital collection of artifacts.

Now that I have seen more kapothoed designs, I can see that the hats Jennie wore when she was younger and when she was elderly are two different hats, two different styles of bonnets.

These bonnets are very different from the traditional Dutch caps which look like the variations in these photos from Wikipedia.

Actually, the caps that women in Goes, Zeeland, wore were the most dramatic, along with the hair combed back at the forehead and the large jewelry worn at the temples.

I spent a lot of time trying to find an image online that I am allowed to download and put into this post, but I couldn’t find the right image of the Goes costume. Instead, I did a Google search of the “traditional costume of Goes, Zeeland” and created a screen shot to show you.

These are oorijzers or ear irons. Various styles had different names. The block or cube style were boeken (books). A spiral metal style were called krullen (curls). This next photo is a woman from Spijkenisse in 1900. I am including it to show you the krullen style ear irons.

Krullen

Here is what Wikipedia has to say about oorijzer. I am quoting them because it’s the best information I found online:

The ear iron is part of the costume for women, especially in the northern provinces of the Netherlands and Zeeland . It originally formed part of the civic power, which was taken over in the regional councils.

Initially the ear iron was a metal bracket to keep the caps in place. It was worn over a cap and a luxurious top hat was put on it. In the course of time the ear iron grew into a showpiece. Decorative gold plates or curls stuck out at the front of the ear irons . . . .

Only in the 19th century did various forms of the ear-iron form a specific part of Dutch regional dress. In Images of dress, morals and customs from 1803-1807 there is no question of ear iron in women from Friesland. In the French era, when the so-called independent regions of the Republic of the United Netherlands come under a single administration, the need for maintaining their own identity arises in the regions. In the Netherlands, the ear iron force is cultivated and has its own development. The prosperity is great, as a result of which the ear iron is getting bigger and bigger. In the course of the century, the narrow band is becoming wider, the buds become larger and flatter and take the form of a flower pot.

Different Ear Irons in the Zuiderzee Museum

A slang term for them might be kissers. A tradition (not universally shared) has it that the kissers were meant to keep boys away from the girls. I’m amazed how the hair looks so plain and yet the cap and oorijzers are so extravagant looking. Coral bead necklaces are part of the traditional costume. You could tell if a woman was Protestant or Catholic by her cap.

If you would like to read more about the oorijzers, here is a blog post by a graduate student in fashion. The Oorijzer

As you know, I am no expert on traditional Dutch costumes. I found this information online. But I think knowing that my ancestors wore outfits like this is eye-opening.

One last thing I’d like to point out is that although I have a couple of traditional costume antique photographs, they are not from Goes, unfortunately. I wish I had a photo of my ancestor dressed this way. Instead, what I do have from late 19th century Netherlands is not traditional attire, but more “modern” European clothing.

P.S. The unidentified lady (called “Mother’s aunt” and written about here) was photographed in Groningen. For fun I thought I’d share a link about Albarta ten Oever (1772–1854), an artist from Groningen who happened to be a woman. Check it out.

by Albarta ten Oever

Koetsreizigers in Schipborg (1806)

landscape of “coach travelers” in Schipborg, a village in Drenthe

And then here’s another article of interest to this blog, Calvinism in the Netherlands. When I was a history grad student (never finished that particular degree) my specialty was religious history, particularly the history of the Reformation (where Protestantism, often in the form of Calvinism, replaced Catholicism for masses of Europeans). So the full history of what has happened with Calvinism in the Netherlands is of particular interest to me. My own family background from the Netherlands was Dutch Reformed (Calvinism), but before my mother was raised, the family had moved away from a strict form of Protestantism.

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In scanning the beautiful antique album this fall, I came across this tintype that kind of haunts me. Maybe it’s because the tintypes are so rare in the family collection. Maybe it’s because of her eyes.

Just ignore the strange corners. I tried to clean it up a bit at the corners (just for this post), and it didn’t turn out as I expected!

So how do I go about narrowing in on who might be in the image?

Because all the photos so far in the antique album seem to be related to the 5 Paak siblings and their familys, I feel that it is likely that she is related to the Paaks somehow.

I have such a desire to find a photo of Janna Kakebeeke Remine, the mother of Dick, grandmother of Therese, Genevieve, and Harold, who immigrated to Kalamazoo and passed away in 1910. She was the mother-in-law of Mary, one of the Paak sisters. But Janna was born in 1827. I was thinking 1880s for this dress, and this woman is not 60. In fact, as usual, I have no idea how old she is, what year her dress was, or what year her hairstyle was. It can’t be Dick’s mother-in-law Jacoba Bassa Paak either. She died in 1865 in the Netherlands!

What I have to get used to is the fact that the photographs I own are never of those earlier individuals, so they are images of more “recent” generations. I posted this one on a Facebook group for dating photographs.  Very consistently, readers thought the tintype is around 1880. They based this on two main aspects: the fact that it is a tintype and not a photograph and the woman’s outfit. Tintypes were most frequent a bit earlier than the ’80s, but they can be found in the 1880s and even later.

I thought that the silhouette of her dress and the finishings looked like the 1880s. One thing I can file away in my brain for later is the dress appears to black, a mourning dress, so someone close to the woman had died within perhaps the previous year. Of course, that is very subjective–I mean, it seems as if they would have always been in mourning dress! I’m not very happy with books or websites about women’s clothing styles. They tend to focus on the clothing of the wealthy, the fashionista, and those in evening wear. My relatives were not fashionistas, they were not wealthy (although often not poor either), and sometimes they were governed by a religious conservatism. They didn’t get their photographs taken in evening wear, if they even had any.

For further consideration, I’ll use the date of 1880, knowing it could be 10 years difference either way.

The only way I can now find the woman in the tintype is by comparing her with photographs of known Paak women and women who have married into the family AND using the data on my family tree for birth and death dates.

Do you think this woman is about 25? or younger or older? Let’s say she’s 25, for the sake of trying to figure out who she is. If so, she was born around 1855. That would make her a contemporary of Alice Paak DeKorn (born 1852) and her siblings.

 

Aaltje (Alice) Paak DeKorn

Anna Catherina (Annie) was born 1855

 

Maaike (Mary) Paak Remine born 1859

 

Cornelia (Carrie) Paak Waruf born in 1862

So. There are four* Paak sisters, and I don’t see this woman as one of them, although she could be a contemporary–or a bit older.

* There actually were five Paak sisters, but Willempje, who was born in 1856, did not immigrate with the girls, their father, and their brother. Although I have not been able to find a death or marriage record, I suspect she died as a child. The brother, George, married Lucy Kliphouse, who is not the woman in the tintype.

Lucy Kliphouse Paake

Alice had two SILs–Jennie DeKorn Culver and Mary DeKorn DeSmit.

Jenny DeKorn Culver

 

Mary DeKorn DeSmit

Is she one of them? (I don’t think so).

Mary Paak Remine had two SILs that I know of.

 

Adrianna (Jennie) Remine Meijer was born in 1860

Jennie was the sister-in-law of Mary Paak Remine. Another sister-in-law of Mary was Johanna Remine Bosman, born in 1855.

None of these look right to me. And these last two are sisters, but don’t look like it.

Carrie Paak Waruf’s husband Henry (Hank) does not appear to have had any sisters. He immigrated as a child with his parents from the Netherlands to Kalamazoo, and I don’t see a record of any siblings in the census records I have been able to find.

That leaves Annie, the least known of any of the sisters. Annie was married to Jacob Salomon Verhulst (whose grandmother, by the way, was a Flipse–see Flipse posts, if you’re curious). The only photo I have that I know is Annie is the full-length photo I posted above. I never heard anybody talk about her, except when Grandpa identified the photograph.

I don’t know if Annie and Jacob had any children. I have found no record of any children. They married in 1890.

Jacob did have two sisters, that I can find. One was Cornelia who died as a child in Holland. The other was Pieternella, was born 1843 in Kortgene and died 18 days later.

So there you have it. Those are the Paak women and their sisters-in-law. My next guess would be a cousin of the Paaks–or like Annigje Haag, the fiancee or wife of a cousin.  So I will keep searching in that “outer layer” of family members.

That said, if you see any flaws in what I’ve determined so far, please let me know, and I will expand my search even more.

Now that it’s a new year, I want to keep my genealogy goals focused.

  1. Continue scanning of all photographs
  2. Organize the physical photos, documents, and heirlooms.
  3. Create a list of provenance for all heirlooms
  4. Bring my Ancestry tree up to date with all info I have
  5. Find and work on software for a tree that is just for my tree
  6. Continue trying to identify photographs
  7. Research gaps and brick walls

Pretty ambitious, I know. Some of my blog posts will just be updates on how I am doing on items 1-5, rather than the results of actual research. Be patient. You know how helpful you all are to me, and I appreciate it more than you will ever know. Thank you!!!

 

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Thank you so much for responding so enthusiastically to Kin Types. My new chapbook is an offshoot of The Family Kalamazoo, in a way.

The cover of the book is from an old tintype belonging to my family. I have posted it twice before on this blog. The woman featured on it seems to have come from the Remine branch of the family and, based on the tintype and the dress she wears, I thought it was possible that she could be my great-great-great grandmother Johanna Remine DeKorn. This was a guess I had fairly early on, but I had no proof.

But I knew she was someone close to us. For one thing, this is an expensive painted tintype and our family owns it. We wouldn’t have possession of such an image if it wasn’t someone from the family. For another, there is too great a similarity. For instance, my daughter thinks that the woman looks remarkably like my mother in the eyes and mouth. Other people say they can see her in my face.

I thought it unlikely I would learn much more about the photo, but never gave up hope because much amazing information has flowed to me, mainly through this blog.

When I visited my mother recently, she gave me a gorgeous antique photo album from my uncle for me to scan and disseminate. Imagine my surprise when I opened the album and found this tiny tintype inside.

I had so many questions: Were the photos taken at the same time or is the woman younger in the couple’s photo? Same hairdo, same earrings . . . . We don’t really know about the dress and its neck accessory because the lace collar on the painted tintype is, just that, painted on. But she’s definitely younger. Is the new find a wedding photo? Are they siblings?

So I focused on the man. I want to say boy. They both look so young. If the woman is Johanna Remine DeKorn, the man most likely would have to be Boudewyn (Boudewijn) DeKorn. Here is a photo my grandfather identified as Boudewyn, my 3xgreat grandfather.

Boudewijn de Korne

So, what do you think? Are they two different men? The hair is the same–very wavy dark brown hair–, but the hairline has changed. That’s possible. In the upper photo, the man has very defined cheekbones, and I don’t see this in the boy. The man has a very wide mouth. Would that change over time? I doubt it. It was unlikely then that the woman was Johanna, but who was she?

I did what I had to do. I scheduled an appointment with photogenealogist Maureen Taylor. When I only had the painted tintype, I didn’t feel I had enough to go through the process with Maureen. But now that I had a second tintype, I wanted to give it a try.

When Maureen and I began our conversation, I felt a letdown. Johanna Remine was too old to be in this photo. The tintype of the two people had to be between 1869 and 1875, according to Maureen. Johanna was born in 1817 and DIED in 1864. The woman could not be Johanna.

The woman had to be a generation younger than Johanna.

This was disappointing because I felt that I know the other branches or “lines” of the family, and that if she wasn’t Johanna, she couldn’t be a direct ancestor.

And yet, as I told Maureen, I had a strong feeling that she was closely related. And her looks are too reminiscent of the family features to discount her. Maureen agreed with this and pointed me in a different direction.

The Remine family, where I felt the painted tintype came from, began in the U.S. with a marriage between Richard Remine and Mary Paak. Mary Paak is my great-great-grandmother Alice Paak DeKorn’s sister. I am related to the Remines two ways. One is by blood, Johanna Remine being my 3x great grandmother, married to Boudewyn DeKorn (and the mother of Richard DeKorn). The other is by marriage where Richard married Mary. Mary and Carrie Paak, two of the four Paak sisters, had a similar look. Alice and Annie had a different look altogether.

ALICE PAAK DEKORN

Maureen wanted to see a photo of Alice. I sent her the image above–a very clear headshot of Alice from the 1890s (so 20 years older than the woman in the tintype) and Annie (the sister who looked like Alice but is a body shot and not as clear). Maureen examined the photos and proclaimed Alice a match. She asked for the dates on the sisters: birth, immigration, marriage. She was sure the tintype of the beautiful girl on the cover of Kin Types was Alice who happens to be featured in a poem in my book: “An Account of a Poor Oil Stove Bought off Dutch Pete.”

I asked Maureen about the man in the photo and said it did not look like Alice’s husband, Richard DeKorn.

And then I learned something that is counterintuitive, but smart.

Ignore him for now.

She thought it could be her brother or even a beau she had in the Netherlands that she never married. In the tintype of both of them, they are very very young, maybe teenagers. And Alice immigrated to the United States when she was 17 years old. Maureen told me to ignore the man for the purposes of identifying the woman. I will try to identify him later, if it is even possible.

The more I thought about Maureen’s assessment, the more I realized how blind I’d been not to notice the resemblance between the women in the tintype and my 2xgreat grandmother Alice. Alice also happens to be the mother of Cora, the woman my grandparents told me that I look like.

Just for fun, I ran the two images through twinsornot.net. This is the result, although they photos are of a very young woman and a woman twenty years older.

Then I pulled out the other photo that Grandpa had identified Alice. In this alternative photo, Alice is younger than in the 1890s photo, but not nearly as young as the tintype. I had never been sure that this photo even was Alice, although Grandpa had been (and she was his grandmother). So I ran both Grandpa-identified Alice photos against each other on the site. 100% match! Grandpa was right.

Next I ran the tinted tintype against this alternative photo of Alice.

100%!

 

SO THERE YOU HAVE IT! THE MYSTERY IS SOLVED. THE WOMAN ON THE COVER OF KIN TYPES IS MOST LIKELY ALICE PAAK DEKORN.

I learned a lot of lessons through this process, but one that really stands out in my mind is that people look different in different photographs–and when you are comparing people of different ages, it really gets dicey. I think about photos of me . . .

If you click the Amazon link , the book can be ordered for $14.99. To order through Barnes & Noble, try this link.

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