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Archive for the ‘Alice Paak DeKorn’ Category

Thank you so much for responding so enthusiastically to Kin Types. My new chapbook is an offshoot of The Family Kalamazoo, in a way.

The cover of the book is from an old tintype belonging to my family. I have posted it twice before on this blog. The woman featured on it seems to have come from the Remine branch of the family and, based on the tintype and the dress she wears, I thought it was possible that she could be my great-great-great grandmother Johanna Remine DeKorn. This was a guess I had fairly early on, but I had no proof.

But I knew she was someone close to us. For one thing, this is an expensive painted tintype and our family owns it. We wouldn’t have possession of such an image if it wasn’t someone from the family. For another, there is too great a similarity. For instance, my daughter thinks that the woman looks remarkably like my mother in the eyes and mouth. Other people say they can see her in my face.

I thought it unlikely I would learn much more about the photo, but never gave up hope because much amazing information has flowed to me, mainly through this blog.

When I visited my mother recently, she gave me a gorgeous antique photo album from my uncle for me to scan and disseminate. Imagine my surprise when I opened the album and found this tiny tintype inside.

I had so many questions: Were the photos taken at the same time or is the woman younger in the couple’s photo? Same hairdo, same earrings . . . . We don’t really know about the dress and its neck accessory because the lace collar on the painted tintype is, just that, painted on. But she’s definitely younger. Is the new find a wedding photo? Are they siblings?

So I focused on the man. I want to say boy. They both look so young. If the woman is Johanna Remine DeKorn, the man most likely would have to be Boudewyn (Boudewijn) DeKorn. Here is a photo my grandfather identified as Boudewyn, my 3xgreat grandfather.

Boudewijn de Korne

So, what do you think? Are they two different men? The hair is the same–very wavy dark brown hair–, but the hairline has changed. That’s possible. In the upper photo, the man has very defined cheekbones, and I don’t see this in the boy. The man has a very wide mouth. Would that change over time? I doubt it. It was unlikely then that the woman was Johanna, but who was she?

I did what I had to do. I scheduled an appointment with photogenealogist Maureen Taylor. When I only had the painted tintype, I didn’t feel I had enough to go through the process with Maureen. But now that I had a second tintype, I wanted to give it a try.

When Maureen and I began our conversation, I felt a letdown. Johanna Remine was too old to be in this photo. The tintype of the two people had to be between 1869 and 1875, according to Maureen. Johanna was born in 1817 and DIED in 1864. The woman could not be Johanna.

The woman had to be a generation younger than Johanna.

This was disappointing because I felt that I know the other branches or “lines” of the family, and that if she wasn’t Johanna, she couldn’t be a direct ancestor.

And yet, as I told Maureen, I had a strong feeling that she was closely related. And her looks are too reminiscent of the family features to discount her. Maureen agreed with this and pointed me in a different direction.

The Remine family, where I felt the painted tintype came from, began in the U.S. with a marriage between Richard Remine and Mary Paak. Mary Paak is my great-great-grandmother Alice Paak DeKorn’s sister. I am related to the Remines two ways. One is by blood, Johanna Remine being my 3x great grandmother, married to Boudewyn DeKorn (and the mother of Richard DeKorn). The other is by marriage where Richard married Mary. Mary and Carrie Paak, two of the four Paak sisters, had a similar look. Alice and Annie had a different look altogether.

ALICE PAAK DEKORN

Maureen wanted to see a photo of Alice. I sent her the image above–a very clear headshot of Alice from the 1890s (so 20 years older than the woman in the tintype) and Annie (the sister who looked like Alice but is a body shot and not as clear). Maureen examined the photos and proclaimed Alice a match. She asked for the dates on the sisters: birth, immigration, marriage. She was sure the tintype of the beautiful girl on the cover of Kin Types was Alice who happens to be featured in a poem in my book: “An Account of a Poor Oil Stove Bought off Dutch Pete.”

I asked Maureen about the man in the photo and said it did not look like Alice’s husband, Richard DeKorn.

And then I learned something that is counterintuitive, but smart.

Ignore him for now.

She thought it could be her brother or even a beau she had in the Netherlands that she never married. In the tintype of both of them, they are very very young, maybe teenagers. And Alice immigrated to the United States when she was 17 years old. Maureen told me to ignore the man for the purposes of identifying the woman. I will try to identify him later, if it is even possible.

The more I thought about Maureen’s assessment, the more I realized how blind I’d been not to notice the resemblance between the women in the tintype and my 2xgreat grandmother Alice. Alice also happens to be the mother of Cora, the woman my grandparents told me that I look like.

Just for fun, I ran the two images through twinsornot.net. This is the result, although they photos are of a very young woman and a woman twenty years older.

Then I pulled out the other photo that Grandpa had identified Alice. In this alternative photo, Alice is younger than in the 1890s photo, but not nearly as young as the tintype. I had never been sure that this photo even was Alice, although Grandpa had been (and she was his grandmother). So I ran both Grandpa-identified Alice photos against each other on the site. 100% match! Grandpa was right.

Next I ran the tinted tintype against this alternative photo of Alice.

100%!

 

SO THERE YOU HAVE IT! THE MYSTERY IS SOLVED. THE WOMAN ON THE COVER OF KIN TYPES IS MOST LIKELY ALICE PAAK DEKORN.

I learned a lot of lessons through this process, but one that really stands out in my mind is that people look different in different photographs–and when you are comparing people of different ages, it really gets dicey. I think about photos of me . . .

If you click the Amazon link , the book can be ordered for $14.99. To order through Barnes & Noble, try this link.

If you like what you read, please leave a little review at one or more of the following sites:

 

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A deeply grateful thank you to Amy at Brotman Blog for this beautiful review of Kin Types.

Most of us who engage in family history research probably try in some way to put ourselves in the shoes of our ancestors. We try to imagine—what were they really like? How did they cope with the failures and successes, the heartbreak and the joys that colored their lives? We want to get beyond the […]

via Kin Types by Luanne Castle: A Review — Brotmanblog: A Family Journey

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Although I started this blog five years ago next month, and that sounds like a long time, I’ve been working (on and off–mainly off while raising my kids and teaching) on family history, family photos, and genealogy since I was just out of college and beginning a master’s in history (which I did not complete and ultimately switched to English and creative writing).

I was blessed with many antique and vintage photographs and a grandfather with a great memory and a talent for storytelling.

But it wasn’t until a couple of years ago that I got the idea of putting my research and knowledge of our family history together with my creative writing. Then I began to write lyric poems, prose poems, and a few pieces in a genre that was new to me–flash nonfiction, which is a form of very short prose–based on individuals from my family’s past.

Ultimately, I pulled these pieces together into a chapbook (44 pages) which has been published by Finishing Line Press and is now available, not only on their website, but also on Amazon and Barnes & Noble websites.

Kin Types looks at what the lives of my ancestors were like. The locales are mainly Kalamazoo (and other towns in southwestern Michigan), Elmhurst (Illinois), and the Netherlands. Using the fruits of my research, which included studying newspaper articles, documents, and the details of antique photos, I tried to “inhabit” the lives of some of the people who have come before me.

If you click through the link to the Amazon page, the book can be ordered for $14.99. To order through Barnes & Noble, try this link.

Here is a sample poem from the collection:

Genealogy

 

Tigers die and leave their skins;

people die and leave their names.  ~Japanese Proverb

 

The more relatives I unearthed,

the more Franks rose to the surface

like deer bones after a storm.

On the trails I could follow,

I found seven named Frank,

three Franz, three Francis.

Frans, Francois, and Franciscus.

Frances and Francisca,

the women peeking out

from under their fathers’ names.

The name passed forward

like a cross polished by many hands.

The verb frank means to allow free passage

for man or post. But these Franks

and Franciskas paid with their labor

and their babes buried along the way.

If you read this blog, some of the characters of the book might be familiar to you. And because the project is quite unique I think people passionate about family history, genealogy, history, and local history will probably be particularly interested. Some of the pieces have been published in literary magazines. Combined together, they tell a story of the history of “forgotten” women.

So what are you waiting for? 😉 Go to one of the links and place your order!  And thank you very much.

 

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I dug into the bottom of a file drawer and pulled out a book I forgot that I had. It was put together by the Kalamazoo Gazette and featured photographs sent in by individuals of Kalamazoo from the past up to the early 1960s.

My grandfather, Adrian Zuidweg, is listed as one of the contributors, so I went through and tried to find the photos he might have sent in.

Definitely these two photos. The little boy in the check dress and straw hat is grandpa himself. And the little girl on the hammock is his cousin Alice Leeuwenhoek.

Those are the relatives sitting on the front porch. Gosh, I own that photo! I didn’t realize that was Richard Remine (though I can see right now that it is, of course, him)–or his children Therese, Harold, and Jane either. It would fit that the two little girls are Alice (next to her grandma Alice Paak) and Therese. With Harold behind the children. But Jane doesn’t really look old enough in this photo. According to my records, Jane was 14 years older than Therese. Something is off here. That big gap in age between Jane and Therese bothers me, and it always has. And if you recall when I wrote about Frank and Jane Tazelaar, I had been confused for awhile about if there had been 4 Remine children and 2 girls of similar names.  This photo must be somewhere around 1901, based on the assumed aged of the 3 little children. Jane was born in 1881 and is not 20 here!

The known people: back row is Aunt Jen DeKorn Leeuwenhoek, Richard DeKorn, Richard Remine. Front row is Lambertus (Lou) Leeuwenhoek, Alice Paak DeKorn, and then the little girl next to Alice definitely looks like Alice Leeuwenhoek, Jen and Lou’s daughter. It would seem plausible that the three other children belong to Richard Remine, but Jane could not have been that small.

What else? Here is Harold Remine big enough to go fishing at Long Lake. The other photo is not from my family, but it does show off a great collection of hats!

This is the Ladies Library building that Richard DeKorn was the mason contractor for.

But I don’t think that is one of our family photos.

One of these photos could have been taken by Joseph DeKorn and been submitted by Grandpa. It is very similar to the ones that I own.

Take a look at the captions for the downtown views. Does it make sense? It doesn’t make sense to me for some reason.

Most importantly, Grandpa autographed this book!

Here is a bonus photo. It isn’t from my family, but isn’t it a cool reminder of the kitschy business architecture popular in those days?

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Over a year ago, I wrote a series of posts about Theresa (Tracy) Paak, the daughter of my great-great-grandmother’s only brother. Theresa was the mother of Professor Lawrence, who has been kind enough to send me photographs and information about his branch of the family. If you’ve been following along here for some time, you might remember my posts about Theresa Pake, the middle child (of five) of my great-great-grandmother’s brother, George.

You might remember that after the disastrous fire that destroyed the family home, Theresa went to live with Oliver and Una Pickard. Mrs. Pickard was Theresa’s Sunday School teacher. I wrote about the Pickards in George Paak’s Legacy, Part VI: Who Were the Pickards? What I discovered in my research was that the Pickards were married young, remained childless, and began their careers as nurses, both living and working at the State Hospital (psychiatric hospital).  Eventually Una became a private duty nurse and Oliver a postman.

I really tried to imagine this couple and what they were like because they proved to be so important to Theresa’s life. The other day I got my wish to see what they looked like when Professor Lawrence sent me photographs.

Una was 18 and Oliver 23 when they married. Could this be their wedding portrait?

Here is Auntie Pick, as she was called, in uniform.

And Oliver, or “Uncle Bob,”  in the classic “man walking down the sidewalk pose” (yes, we’ve seen it a couple of times already with other people in other photos).

Here is a photograph of Theresa herself taking a photograph of her foster parents.

 

Here is “Uncle Bob” with Theresa’s son Richard, or Dick, in Wisconsin. This is Professor Lawrence’s brother.

There was some confusion in the censuses over the address of the Pickards, but I think they lived in the same house for years at 1846 Oakland Drive.

And many years later. The house is no longer there.

As a bonus, here are photographs of Una’s parents and of Una as a baby.

She looks the same as a baby as at eighteen!

Here are the other Pake/Paake/Paak/Peek posts:

A Series of Disasters

The Children After the Fire, 1902

Paak-a-boo

Saved from the Fire

Who is George Paake, Sr.?

Curious about George

George Paake’s Legacy, Part I

George Paake’s Legacy, Part II: Theresa’s Pre-Professional Education

George Paake’s Legacy, Part III: Theresa’s Professional Education

George Paake’s Legacy, Part IV: A Letter to His Daughter

George Paake’s Legacy, Part V: Theresa Gets Married

 

 

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I’ll be taking a blogging break for the holidays, so I’ll leave you with this gift (that I first posted three years ago)  from Alice Paak (Richard) DeKorn to one of her children, possibly her daughter Cora, my great-grandmother. What a family and genealogy treasure–now 109 years old.

1907

Merry Xmas

from

MOTHER

In case you’re wondering about the use of the word “Xmas” instead of “Christmas,” this is what Wikipedia has to say:

There is a common belief that the word Xmas stems from a secular attempt to remove the religious tradition from Christmas by taking the “Christ” out of “Christmas”, but its use dates back to the 16th century.

I’m sure that this was just a way to fit it all on the tiny shell. What a lot of work to paint and letter this shell. I wonder if she made three, one for each of her children.

Happy holidays to you and yours! See you in the new year!

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I originally started this blog because of the wealth of photographs and glass negatives I had in my possession that once belonged to my grandfather’s uncle, Joseph Peter DeKorn. This post is a revision and update of the 2nd post on this blog.Joseph Peter DeKorn

“Uncle Joe” was born to Richard DeKorn, local building contractor and brick mason, and Alice Paak DeKorn June 30, 1981, in Kalamazoo, Michigan. When he lived in Kalamazoo, he was an enthusiastic photographer, capturing scenes and people in Kalamazoo in the very early 1900s. Most of the photographs by Joseph which I have were taken between 1903 and 1918.  His draft registration for WWI is dated September 12, 1918.  He graduated from Kalamazoo College and the University of Michigan Engineering School in 1909.  Joe was a hydraulic engineer and worked for the City of Grand Rapids for over 30 years.  He retired as Superintendent of the Grand Rapids Water and Light Company.

gr-press-sat-6-30-51-joe-dekorn-retiring-city-waterworks-chief-001-1

Here is a commendation letter from the City Manager upon his retirement.

joe-dekorn-commendation-city-mgr-retirement-001-2

Personal life

Joe married Christina Blandford on December 9, 1919 in Kalamazoo.  He was 38 and Christina was 35.  She was born June 22, 1884 in Grand Rapids, Michigan.  Christina’s parents were Isaac Blandford and Lily Kemp, both born in Ontario, Canada.   She graduated from Western Michigan Normal College (now Western Michigan University in Kalamazoo).  She was a school teacher and taught at Walker Township School, District #1 (later known as Fairview School) and Godfrey School in Grand Rapids.

Aunt Tena, when Uncle Joe was still “Friend Joe” to her, wrote him this postcard in 1915:

Tena sent this postcard to Joe on August 3, 1915

Tena sent this postcard to Joe on August 3, 1915

Aunt Tena wrote from summer school in Lansing in her beautiful handwriting

Aunt Tena wrote from summer school in Lansing in her beautiful handwriting

Tena and Joe resided during their lifetime at 841 Cogswell Street, NW, Grand Rapids, Michigan, just three houses from the Blandford family homestead.  The couple raised their two sons, Richard and Phillip in Grand Rapids, Michigan. Richard was born on January 29, 1920, and Philip Eugene was born on August 4, 1922. Joe worked as a hydraulic engineer or filter engineer for the City Water & Light Department, Grand Rapids.  He passed away on March 24, 1962.

Joseph died March 24, 1967 in Grand Rapids and Tena died October 11, 1979 again in Grand Rapids, Michigan.

Unfortunately, I don’t remember Uncle Joe as I was too young, but I remember Aunt Tena as an elderly widow. She was memorable for her intelligence, kindness, fine china teacups, and her elegant and decorative old-fashioned handwriting (see postcard above).

 

The header photo (above) of the Kalamazoo flood in 1904 and the photos of downtown Kalamazoo from this post are some samples of Uncle Joe’s photographs.

 

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