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Posts Tagged ‘Zuidweg family’

Last week I showed you the beautiful work Val Erde at Colouring the Past did on my great-grandfather Adrian Zuidweg (Adriaan Zuijdweg) photograph, so I wanted Val to perform her magic on a woman or two in my photo collection.

Here is a photograph of Adrian’s wife, Cora DeKorn Zuidweg, my great-grandmother. I don’t believe I have shared this one yet as it was in the beautiful old album I only recently scanned. This is the youngest I have seen Cora where I knew for sure that it was, indeed, Cora.

Cora hasn’t quite lost the “baby fat” in her face here.

She is beautiful, though the photo has damage, especially foxing stains, on it.

But look at Cora after Val gives her some color!

I also asked Val to color a photo of Cora’s mother, Alice Paak DeKorn. The one I gave her was quite faded, so the resulting work is not as vibrant as the others, but it still allows Alice to come off the page into my heart.

Here was the original:

That does it for now with the “in living color” photos. I ordered these two and Adrian’s for this blog, and I share two others on my blog Entering the Pale. I hope to order more sometime in the future. Don’t hesitate to check out Val’s blog for more examples of her beautiful work.

 

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I asked the amazing Val Erde at Colouring the Past to color the original photograph of my great-grandfather Adrian Zuidweg (Adriaan Zuijdweg) in his Dutch army uniform. I’ve posted the original before.

Adriaan Zuijdweg

The photograph was taken in Bergen op Zoom, which is in the south of the Netherlands and is not his hometown of Goes, which is in Zeeland. Val thought it possible that Adrian had to serve  because the Dutch were embroiled in the Aceh War. It was also known as the Dutch War or the Infidel War (1873–1904) and was an armed military conflict between the Sultanate of Aceh and the Kingdom of the Netherlands. The culminiation was that it consolidated Dutch rule over modern-day Indonesia.

My grandfather never told me where his father served, only that he had gone AWOL because his superior had a contagious disease. Since he immigrated to the United States in 1893 at the age of 22, he could only have been 22 or younger in the photograph.

What a beautiful uniform he had! Val tells me that the odd-shaped chevron on his uniform identifies him as a sergeant. Here he is in living color.

 

I’m so grateful to Val for the beautiful work she’s done here. This is the final version after Val made a correction surrounding the cigar.

 

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There is so much to see and research in every photograph, every document, and every story. It’s no wonder I always feel that I have not exhausted a topic. One of those topics is the hat that Jennie Zuidweg (wife of Johannes and mother of Lucas who died on the anchor) wore in her photos. She wore it when she was younger and, no doubt, living in the Netherlands–specifically Goes, Zeeland.

And she wore it when she was old and living in Kalamazoo, Michigan.

And then I saw another Dutch relative wearing the hat.

I put all this in the back of my mind, and then on a Dutch Facebook group somebody mentioned a type of hat, and it clicked in my head that I needed to research this hat.

What I found is that this type of hat seems to be called a Kapothoed. According to Google translation, this means hood hat or bonnet. So I did a Google search of Kapothoed. Although all that comes up are not the same, there are several that are.

Google Search for Kapothoed

and from Pinterest.

Kapothoed

What this shows me is that what I assumed to be an old-fashioned country bonnet was really an actual style that existed in the Netherlands. Some of the bonnets or kapothoed that I found by searching Dutch museum collections online are closer to the head, but there are some that are high like these.

Here is a high one from Europeana Collections, an online digital collection of artifacts.

Now that I have seen more kapothoed designs, I can see that the hats Jennie wore when she was younger and when she was elderly are two different hats, two different styles of bonnets.

These bonnets are very different from the traditional Dutch caps which look like the variations in these photos from Wikipedia.

Actually, the caps that women in Goes, Zeeland, wore were the most dramatic, along with the hair combed back at the forehead and the large jewelry worn at the temples.

I spent a lot of time trying to find an image online that I am allowed to download and put into this post, but I couldn’t find the right image of the Goes costume. Instead, I did a Google search of the “traditional costume of Goes, Zeeland” and created a screen shot to show you.

These are oorijzers or ear irons. Various styles had different names. The block or cube style were boeken (books). A spiral metal style were called krullen (curls). This next photo is a woman from Spijkenisse in 1900. I am including it to show you the krullen style ear irons.

Krullen

Here is what Wikipedia has to say about oorijzer. I am quoting them because it’s the best information I found online:

The ear iron is part of the costume for women, especially in the northern provinces of the Netherlands and Zeeland . It originally formed part of the civic power, which was taken over in the regional councils.

Initially the ear iron was a metal bracket to keep the caps in place. It was worn over a cap and a luxurious top hat was put on it. In the course of time the ear iron grew into a showpiece. Decorative gold plates or curls stuck out at the front of the ear irons . . . .

Only in the 19th century did various forms of the ear-iron form a specific part of Dutch regional dress. In Images of dress, morals and customs from 1803-1807 there is no question of ear iron in women from Friesland. In the French era, when the so-called independent regions of the Republic of the United Netherlands come under a single administration, the need for maintaining their own identity arises in the regions. In the Netherlands, the ear iron force is cultivated and has its own development. The prosperity is great, as a result of which the ear iron is getting bigger and bigger. In the course of the century, the narrow band is becoming wider, the buds become larger and flatter and take the form of a flower pot.

Different Ear Irons in the Zuiderzee Museum

A slang term for them might be kissers. A tradition (not universally shared) has it that the kissers were meant to keep boys away from the girls. I’m amazed how the hair looks so plain and yet the cap and oorijzers are so extravagant looking. Coral bead necklaces are part of the traditional costume. You could tell if a woman was Protestant or Catholic by her cap.

If you would like to read more about the oorijzers, here is a blog post by a graduate student in fashion. The Oorijzer

As you know, I am no expert on traditional Dutch costumes. I found this information online. But I think knowing that my ancestors wore outfits like this is eye-opening.

One last thing I’d like to point out is that although I have a couple of traditional costume antique photographs, they are not from Goes, unfortunately. I wish I had a photo of my ancestor dressed this way. Instead, what I do have from late 19th century Netherlands is not traditional attire, but more “modern” European clothing.

P.S. The unidentified lady (called “Mother’s aunt” and written about here) was photographed in Groningen. For fun I thought I’d share a link about Albarta ten Oever (1772–1854), an artist from Groningen who happened to be a woman. Check it out.

by Albarta ten Oever

Koetsreizigers in Schipborg (1806)

landscape of “coach travelers” in Schipborg, a village in Drenthe

And then here’s another article of interest to this blog, Calvinism in the Netherlands. When I was a history grad student (never finished that particular degree) my specialty was religious history, particularly the history of the Reformation (where Protestantism, often in the form of Calvinism, replaced Catholicism for masses of Europeans). So the full history of what has happened with Calvinism in the Netherlands is of particular interest to me. My own family background from the Netherlands was Dutch Reformed (Calvinism), but before my mother was raised, the family had moved away from a strict form of Protestantism.

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Three years ago, I wrote about the youngest child of Johannes and Jennie Zuijdweg. I explained that Grandpa had told me that Lucas, age 21, was a sailor and, in a tragic accident, fell on the anchor of his ship and was killed.

Lucas was certainly a blue-eyed blond, like his sister, and looks remarkably like her and like Johannes, their father.

Since I had been writing about Johannes recently, I thought it fitting to revisit his son’s death.

On Zeeuwen Gezocht, I found the birth and death records of Lucas. I hoped to discover the cause of his death written on the documents.

And here is the cropped version.

Here is the death record.

Again, here is the cropped version.

According to a very nice member of a Facebook group, the translation is as follows:

Today, the 4th of April, 1894, appeared to me,
officer of the Civil Registry of the town of Goes

Jan Bruggeman, aged 56 years, profession : undertaker, living at Goes, not related (to the deceased),
and Hubertus van Liere, aged 53 years, profession : merchant, living at Goes, not related,
who have declared to me that on the 4th of April 1894 at 4 o’clock at night (AM) passed away
Lucas Zuijdweg, aged 21 years, born at Goes, profession : labourer, lived at Goes, son of
Johannes Zuijdweg, announcer, and of Jannegien Bomhoff, his wife.

And is immediately made up this record, which has been signed by myself and declarants after being read out.

Unfortunately, there is no record of how Lucas passed away. Well, I wonder. What if there is a newspaper article? I guess I need to learn Dutch and then learn how to search for newspaper articles in Dutch papers!

What does come to mind from this document is wonder that an undertaker was with him when he died. What in the world? Since Grandpa said this was an accident, I wonder in what bad shape Lucas was in and if he was taken, still alive, to a morgue? How can that be? And Hubertus van Liere might not be a relative, but of course, the daughter of Johannes and Jennie–Lucas’ sister–would marry Marinus Van Liere in 1900.

Also, it states that Johannes was an announcer. He has also been a crier in past records. But mainly he was listed as a merchant. So he was an announcer when Lucas died and a few months later, when he was sentenced, he was a merchant again? How did he accomplish these two occupations?

According to Dutch genealogist, Yvette Hoitink, there aren’t many Dutch graves on Findagrave. She suggests begraafplaatsen, which are the Dutch graves that have been put online. Lucas is not listed, and they are still looking for volunteers to photograph graves. I am not even sure how to find out where he is buried.

 

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When my grandparents, Adrian and L. Edna (Mulder) Zuidweg got married on 21 May 1932, Grandpa’s mother, Cora DeKorn Zuidweg, was dying of cancer. He was staying home to take care of her because his father had died in 1929 and he was an only child.

In 1931, Grandpa had asked Grandma to marry him as he drove her in  the car from Kalamazoo to her parents’ farm in Caledonia. But Grandma had to wait a year to teach and give the money to her family who were struggling financially because of the Great Depression.

So there was no big celebration for my grandparents. Aunt Jen, Cora’s sister stayed with Cora while they got married. They drove to South Bend, Indiana, although Grandpa was from Kalamazoo and Grandma from Caledonia, two southwestern Michigan towns. They could get a marriage license and marry immediately in South Bend.

Traveling with them were Grandma’s sister Vena and her boyfriend Al Stimson’s cousin, Herb Thorpe. They had forgotten to get flowers, so they plucked spirea along the way.

On the way back, they ate dinner at a restaurant in Cassopolis.

Grandma immediately moved into the house at 1520 S. Burdick Street. She helped take care of her mother-in-law who died on 16 September 1932.

When the school year began, Grandma continued to teach that first year and would come home on the weekend. So that Grandpa wouldn’t be alone, Al Stimson moved in with him. Al was a student at WMU. His job was to help Grandpa with the housework. His way of handling the dishes was to load the dirty ones under the sink all week and then just before Grandma was due home for the weekend he would wash them all.

I imagine Grandma was happy to quit teaching and get rid of living in the “frat boy” atmosphere haha.

I’m happy they managed to send out some engraved wedding announcements.

And their portrait, too.

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Thank you so much for responding so enthusiastically to Kin Types. My new chapbook is an offshoot of The Family Kalamazoo, in a way.

The cover of the book is from an old tintype belonging to my family. I have posted it twice before on this blog. The woman featured on it seems to have come from the Remine branch of the family and, based on the tintype and the dress she wears, I thought it was possible that she could be my great-great-great grandmother Johanna Remine DeKorn. This was a guess I had fairly early on, but I had no proof.

But I knew she was someone close to us. For one thing, this is an expensive painted tintype and our family owns it. We wouldn’t have possession of such an image if it wasn’t someone from the family. For another, there is too great a similarity. For instance, my daughter thinks that the woman looks remarkably like my mother in the eyes and mouth. Other people say they can see her in my face.

I thought it unlikely I would learn much more about the photo, but never gave up hope because much amazing information has flowed to me, mainly through this blog.

When I visited my mother recently, she gave me a gorgeous antique photo album from my uncle for me to scan and disseminate. Imagine my surprise when I opened the album and found this tiny tintype inside.

I had so many questions: Were the photos taken at the same time or is the woman younger in the couple’s photo? Same hairdo, same earrings . . . . We don’t really know about the dress and its neck accessory because the lace collar on the painted tintype is, just that, painted on. But she’s definitely younger. Is the new find a wedding photo? Are they siblings?

So I focused on the man. I want to say boy. They both look so young. If the woman is Johanna Remine DeKorn, the man most likely would have to be Boudewyn (Boudewijn) DeKorn. Here is a photo my grandfather identified as Boudewyn, my 3xgreat grandfather.

Boudewijn de Korne

So, what do you think? Are they two different men? The hair is the same–very wavy dark brown hair–, but the hairline has changed. That’s possible. In the upper photo, the man has very defined cheekbones, and I don’t see this in the boy. The man has a very wide mouth. Would that change over time? I doubt it. It was unlikely then that the woman was Johanna, but who was she?

I did what I had to do. I scheduled an appointment with photogenealogist Maureen Taylor. When I only had the painted tintype, I didn’t feel I had enough to go through the process with Maureen. But now that I had a second tintype, I wanted to give it a try.

When Maureen and I began our conversation, I felt a letdown. Johanna Remine was too old to be in this photo. The tintype of the two people had to be between 1869 and 1875, according to Maureen. Johanna was born in 1817 and DIED in 1864. The woman could not be Johanna.

The woman had to be a generation younger than Johanna.

This was disappointing because I felt that I know the other branches or “lines” of the family, and that if she wasn’t Johanna, she couldn’t be a direct ancestor.

And yet, as I told Maureen, I had a strong feeling that she was closely related. And her looks are too reminiscent of the family features to discount her. Maureen agreed with this and pointed me in a different direction.

The Remine family, where I felt the painted tintype came from, began in the U.S. with a marriage between Richard Remine and Mary Paak. Mary Paak is my great-great-grandmother Alice Paak DeKorn’s sister. I am related to the Remines two ways. One is by blood, Johanna Remine being my 3x great grandmother, married to Boudewyn DeKorn (and the mother of Richard DeKorn). The other is by marriage where Richard married Mary. Mary and Carrie Paak, two of the four Paak sisters, had a similar look. Alice and Annie had a different look altogether.

ALICE PAAK DEKORN

Maureen wanted to see a photo of Alice. I sent her the image above–a very clear headshot of Alice from the 1890s (so 20 years older than the woman in the tintype) and Annie (the sister who looked like Alice but is a body shot and not as clear). Maureen examined the photos and proclaimed Alice a match. She asked for the dates on the sisters: birth, immigration, marriage. She was sure the tintype of the beautiful girl on the cover of Kin Types was Alice who happens to be featured in a poem in my book: “An Account of a Poor Oil Stove Bought off Dutch Pete.”

I asked Maureen about the man in the photo and said it did not look like Alice’s husband, Richard DeKorn.

And then I learned something that is counterintuitive, but smart.

Ignore him for now.

She thought it could be her brother or even a beau she had in the Netherlands that she never married. In the tintype of both of them, they are very very young, maybe teenagers. And Alice immigrated to the United States when she was 17 years old. Maureen told me to ignore the man for the purposes of identifying the woman. I will try to identify him later, if it is even possible.

The more I thought about Maureen’s assessment, the more I realized how blind I’d been not to notice the resemblance between the women in the tintype and my 2xgreat grandmother Alice. Alice also happens to be the mother of Cora, the woman my grandparents told me that I look like.

Just for fun, I ran the two images through twinsornot.net. This is the result, although they photos are of a very young woman and a woman twenty years older.

Then I pulled out the other photo that Grandpa had identified Alice. In this alternative photo, Alice is younger than in the 1890s photo, but not nearly as young as the tintype. I had never been sure that this photo even was Alice, although Grandpa had been (and she was his grandmother). So I ran both Grandpa-identified Alice photos against each other on the site. 100% match! Grandpa was right.

Next I ran the tinted tintype against this alternative photo of Alice.

100%!

 

SO THERE YOU HAVE IT! THE MYSTERY IS SOLVED. THE WOMAN ON THE COVER OF KIN TYPES IS MOST LIKELY ALICE PAAK DEKORN.

I learned a lot of lessons through this process, but one that really stands out in my mind is that people look different in different photographs–and when you are comparing people of different ages, it really gets dicey. I think about photos of me . . .

If you click the Amazon link , the book can be ordered for $14.99. To order through Barnes & Noble, try this link.

If you like what you read, please leave a little review at one or more of the following sites:

 

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Although I started this blog five years ago next month, and that sounds like a long time, I’ve been working (on and off–mainly off while raising my kids and teaching) on family history, family photos, and genealogy since I was just out of college and beginning a master’s in history (which I did not complete and ultimately switched to English and creative writing).

I was blessed with many antique and vintage photographs and a grandfather with a great memory and a talent for storytelling.

But it wasn’t until a couple of years ago that I got the idea of putting my research and knowledge of our family history together with my creative writing. Then I began to write lyric poems, prose poems, and a few pieces in a genre that was new to me–flash nonfiction, which is a form of very short prose–based on individuals from my family’s past.

Ultimately, I pulled these pieces together into a chapbook (44 pages) which has been published by Finishing Line Press and is now available, not only on their website, but also on Amazon and Barnes & Noble websites.

Kin Types looks at what the lives of my ancestors were like. The locales are mainly Kalamazoo (and other towns in southwestern Michigan), Elmhurst (Illinois), and the Netherlands. Using the fruits of my research, which included studying newspaper articles, documents, and the details of antique photos, I tried to “inhabit” the lives of some of the people who have come before me.

If you click through the link to the Amazon page, the book can be ordered for $14.99. To order through Barnes & Noble, try this link.

Here is a sample poem from the collection:

Genealogy

 

Tigers die and leave their skins;

people die and leave their names.  ~Japanese Proverb

 

The more relatives I unearthed,

the more Franks rose to the surface

like deer bones after a storm.

On the trails I could follow,

I found seven named Frank,

three Franz, three Francis.

Frans, Francois, and Franciscus.

Frances and Francisca,

the women peeking out

from under their fathers’ names.

The name passed forward

like a cross polished by many hands.

The verb frank means to allow free passage

for man or post. But these Franks

and Franciskas paid with their labor

and their babes buried along the way.

If you read this blog, some of the characters of the book might be familiar to you. And because the project is quite unique I think people passionate about family history, genealogy, history, and local history will probably be particularly interested. Some of the pieces have been published in literary magazines. Combined together, they tell a story of the history of “forgotten” women.

So what are you waiting for? 😉 Go to one of the links and place your order!  And thank you very much.

 

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