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Archive for August, 2017

When my grandparents, Adrian and L. Edna (Mulder) Zuidweg got married on 21 May 1932, Grandpa’s mother, Cora DeKorn Zuidweg, was dying of cancer. He was staying home to take care of her because his father had died in 1929 and he was an only child.

In 1931, Grandpa had asked Grandma to marry him as he drove her in  the car from Kalamazoo to her parents’ farm in Caledonia. But Grandma had to wait a year to teach and give the money to her family who were struggling financially because of the Great Depression.

So there was no big celebration for my grandparents. Aunt Jen, Cora’s sister stayed with Cora while they got married. They drove to South Bend, Indiana, although Grandpa was from Kalamazoo and Grandma from Caledonia, two southwestern Michigan towns. They could get a marriage license and marry immediately in South Bend.

Traveling with them were Grandma’s sister Vena and her boyfriend Al Stimson’s cousin, Herb Thorpe. They had forgotten to get flowers, so they plucked spirea along the way.

On the way back, they ate dinner at a restaurant in Cassopolis.

Grandma immediately moved into the house at 1520 S. Burdick Street. She helped take care of her mother-in-law who died on 16 September 1932.

When the school year began, Grandma continued to teach that first year and would come home on the weekend. So that Grandpa wouldn’t be alone, Al Stimson moved in with him. Al was a student at WMU. His job was to help Grandpa with the housework. His way of handling the dishes was to load the dirty ones under the sink all week and then just before Grandma was due home for the weekend he would wash them all.

I imagine Grandma was happy to quit teaching and get rid of living in the “frat boy” atmosphere haha.

I’m happy they managed to send out some engraved wedding announcements.

And their portrait, too.

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A huge thank you to Sue Vincent who featured KIN TYPES on her blog today! I’m so grateful to you, Sue! And another poem from the collection revealed.

Sue Vincent's Daily Echo

Jennie Bomhoff Zuidweg

The poems and flash prose in Kin Types were begun as I accumulated family stories and information over the years. My grandfather had an excellent memory and was an enthusiastic storyteller, so over time I came to feel that I knew his parents, grandparents, aunts, and uncles, although they died decades before I was born.

When my grandfather got older, he gave me a collection of glass plate negatives that had belonged to his uncle, as well as antique photographs. As my family noticed my interest, they began to send me other heirlooms, including documents and more photographs. I started to research my family history, using online websites. Then I started a WordPress blog called thefamilykalamazoo.com, and readers from around the world contacted me, sending me yet more information.

As I became more knowledgeable about my family, the stories I heard at my grandfather’s knee were enhanced…

View original post 550 more words

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Thank you so much for responding so enthusiastically to Kin Types. My new chapbook is an offshoot of The Family Kalamazoo, in a way.

The cover of the book is from an old tintype belonging to my family. I have posted it twice before on this blog. The woman featured on it seems to have come from the Remine branch of the family and, based on the tintype and the dress she wears, I thought it was possible that she could be my great-great-great grandmother Johanna Remine DeKorn. This was a guess I had fairly early on, but I had no proof.

But I knew she was someone close to us. For one thing, this is an expensive painted tintype and our family owns it. We wouldn’t have possession of such an image if it wasn’t someone from the family. For another, there is too great a similarity. For instance, my daughter thinks that the woman looks remarkably like my mother in the eyes and mouth. Other people say they can see her in my face.

I thought it unlikely I would learn much more about the photo, but never gave up hope because much amazing information has flowed to me, mainly through this blog.

When I visited my mother recently, she gave me a gorgeous antique photo album from my uncle for me to scan and disseminate. Imagine my surprise when I opened the album and found this tiny tintype inside.

I had so many questions: Were the photos taken at the same time or is the woman younger in the couple’s photo? Same hairdo, same earrings . . . . We don’t really know about the dress and its neck accessory because the lace collar on the painted tintype is, just that, painted on. But she’s definitely younger. Is the new find a wedding photo? Are they siblings?

So I focused on the man. I want to say boy. They both look so young. If the woman is Johanna Remine DeKorn, the man most likely would have to be Boudewyn (Boudewijn) DeKorn. Here is a photo my grandfather identified as Boudewyn, my 3xgreat grandfather.

Boudewijn de Korne

So, what do you think? Are they two different men? The hair is the same–very wavy dark brown hair–, but the hairline has changed. That’s possible. In the upper photo, the man has very defined cheekbones, and I don’t see this in the boy. The man has a very wide mouth. Would that change over time? I doubt it. It was unlikely then that the woman was Johanna, but who was she?

I did what I had to do. I scheduled an appointment with photogenealogist Maureen Taylor. When I only had the painted tintype, I didn’t feel I had enough to go through the process with Maureen. But now that I had a second tintype, I wanted to give it a try.

When Maureen and I began our conversation, I felt a letdown. Johanna Remine was too old to be in this photo. The tintype of the two people had to be between 1869 and 1875, according to Maureen. Johanna was born in 1817 and DIED in 1864. The woman could not be Johanna.

The woman had to be a generation younger than Johanna.

This was disappointing because I felt that I know the other branches or “lines” of the family, and that if she wasn’t Johanna, she couldn’t be a direct ancestor.

And yet, as I told Maureen, I had a strong feeling that she was closely related. And her looks are too reminiscent of the family features to discount her. Maureen agreed with this and pointed me in a different direction.

The Remine family, where I felt the painted tintype came from, began in the U.S. with a marriage between Richard Remine and Mary Paak. Mary Paak is my great-great-grandmother Alice Paak DeKorn’s sister. I am related to the Remines two ways. One is by blood, Johanna Remine being my 3x great grandmother, married to Boudewyn DeKorn (and the mother of Richard DeKorn). The other is by marriage where Richard married Mary. Mary and Carrie Paak, two of the four Paak sisters, had a similar look. Alice and Annie had a different look altogether.

ALICE PAAK DEKORN

Maureen wanted to see a photo of Alice. I sent her the image above–a very clear headshot of Alice from the 1890s (so 20 years older than the woman in the tintype) and Annie (the sister who looked like Alice but is a body shot and not as clear). Maureen examined the photos and proclaimed Alice a match. She asked for the dates on the sisters: birth, immigration, marriage. She was sure the tintype of the beautiful girl on the cover of Kin Types was Alice who happens to be featured in a poem in my book: “An Account of a Poor Oil Stove Bought off Dutch Pete.”

I asked Maureen about the man in the photo and said it did not look like Alice’s husband, Richard DeKorn.

And then I learned something that is counterintuitive, but smart.

Ignore him for now.

She thought it could be her brother or even a beau she had in the Netherlands that she never married. In the tintype of both of them, they are very very young, maybe teenagers. And Alice immigrated to the United States when she was 17 years old. Maureen told me to ignore the man for the purposes of identifying the woman. I will try to identify him later, if it is even possible.

The more I thought about Maureen’s assessment, the more I realized how blind I’d been not to notice the resemblance between the women in the tintype and my 2xgreat grandmother Alice. Alice also happens to be the mother of Cora, the woman my grandparents told me that I look like.

Just for fun, I ran the two images through twinsornot.net. This is the result, although they photos are of a very young woman and a woman twenty years older.

Then I pulled out the other photo that Grandpa had identified Alice. In this alternative photo, Alice is younger than in the 1890s photo, but not nearly as young as the tintype. I had never been sure that this photo even was Alice, although Grandpa had been (and she was his grandmother). So I ran both Grandpa-identified Alice photos against each other on the site. 100% match! Grandpa was right.

Next I ran the tinted tintype against this alternative photo of Alice.

100%!

 

SO THERE YOU HAVE IT! THE MYSTERY IS SOLVED. THE WOMAN ON THE COVER OF KIN TYPES IS MOST LIKELY ALICE PAAK DEKORN.

I learned a lot of lessons through this process, but one that really stands out in my mind is that people look different in different photographs–and when you are comparing people of different ages, it really gets dicey. I think about photos of me . . .

If you click the Amazon link , the book can be ordered for $14.99. To order through Barnes & Noble, try this link.

If you like what you read, please leave a little review at one or more of the following sites:

 

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A deeply grateful thank you to Amy at Brotman Blog for this beautiful review of Kin Types.

Most of us who engage in family history research probably try in some way to put ourselves in the shoes of our ancestors. We try to imagine—what were they really like? How did they cope with the failures and successes, the heartbreak and the joys that colored their lives? We want to get beyond the […]

via Kin Types by Luanne Castle: A Review — Brotmanblog: A Family Journey

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This is the best image I have ever seen of my great-great grandfather Richard DeKorn, Kalamazoo mason and building contractor.

Notice that this portrait is signed. It seems to say L. C. Robinson ’27.

So who was L. C. Robinson? From a directory of early Michigan photographers:

Robinson, Leo Carey
Dowagiac student …………………………………………………………………………………………………………………………………….1900
Grand Rapids student ……………………………………………………………………………………………………………………………….1910
Grand Rapids manufacturer of studio furniture for photographers ………………………………………………………… 1910-1911
Grand Rapids photographer for Carey B. Robinson ……………………………………………………………………………………..1912
Grand Rapids PHOTOGRAPHER at 115 ½ Monroe av ……………………………………………………………………… 1913-1921
Kalamazoo PHOTOGRAPHER at 414 Main st west ………………………………………………………………………….. 1923-1925
Kalamazoo PHOTOGRAPHER at 426 Main st west ………………………………………………………………………….. 1926-1927
Kalamazoo PHOTOGRAPHER at 426 Michigan av west …………………………………………………………………… 1929-1931
Kalamazoo PHOTOGRAPHER at 346 Burdick st south …………………………………………………………………….. 1939-1942
Leo was the elder son of photographer Carey B. Robinson and Lettie Alena (Lewis) Robinson, was born on February
25, 1893, at Delton, Michigan, and became a tall man with light brown eyes and brown hair. Her father came from
Indiana and Alta was born at Plainwell, Michigan, in June of 1893, sixth of the nine children of Charles C. and Frances
Ardella (Nichols) West. She grew up on an Allegan County farm, and she married Leo in 1914. Their children were
born in Michigan: Chester in 1915, Doris in 1916, Rueben (later Richard) in July of 1919, Jack about 1924, Avis in
May of 1926, and Eileen in February of 1928. The furniture manufactured by C. B. Robinson & Sons was sold across
the nation and in several other countries. Though Leo, along with his brother Ralph and his father, was a principal of
this company through 1911, Leo and his mother operated the photograph studio while his father supervised the
furniture factory. Leo became the nominal proprietor of the Grand Rapids studio about 1913, though his mother and
father still were involved with its operation and finances. He called it Robinson’s Art Loft in 1917. Late in 1923 he
purchased the Spaeth Studio, located in its own building on West Main Street, and within a couple of years had
developed one of the largest portrait trades in Kalamazoo. Leo died at Kalamazoo in 1942.

This photograph has a strange sheen to it and a pattern that overlays it all–visible in certain formats on my computer screen. This must be a certain type of photography, but I don’t know what it is.

I do know that I am grateful for this photograph dated three years before Richard’s death.

Dated. But taken? Richard was born in 1851 in Kapelle, Zeeland, Netherlands. In 1927, he would have been 76 years old.

Did he dye his hair? Could those moderate “living lines” be from 76 years of living? I find this photo a little confusing if it’s meant to be from 1927.

What do YOU think?

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Although I started this blog five years ago next month, and that sounds like a long time, I’ve been working (on and off–mainly off while raising my kids and teaching) on family history, family photos, and genealogy since I was just out of college and beginning a master’s in history (which I did not complete and ultimately switched to English and creative writing).

I was blessed with many antique and vintage photographs and a grandfather with a great memory and a talent for storytelling.

But it wasn’t until a couple of years ago that I got the idea of putting my research and knowledge of our family history together with my creative writing. Then I began to write lyric poems, prose poems, and a few pieces in a genre that was new to me–flash nonfiction, which is a form of very short prose–based on individuals from my family’s past.

Ultimately, I pulled these pieces together into a chapbook (44 pages) which has been published by Finishing Line Press and is now available, not only on their website, but also on Amazon and Barnes & Noble websites.

Kin Types looks at what the lives of my ancestors were like. The locales are mainly Kalamazoo (and other towns in southwestern Michigan), Elmhurst (Illinois), and the Netherlands. Using the fruits of my research, which included studying newspaper articles, documents, and the details of antique photos, I tried to “inhabit” the lives of some of the people who have come before me.

If you click through the link to the Amazon page, the book can be ordered for $14.99. To order through Barnes & Noble, try this link.

Here is a sample poem from the collection:

Genealogy

 

Tigers die and leave their skins;

people die and leave their names.  ~Japanese Proverb

 

The more relatives I unearthed,

the more Franks rose to the surface

like deer bones after a storm.

On the trails I could follow,

I found seven named Frank,

three Franz, three Francis.

Frans, Francois, and Franciscus.

Frances and Francisca,

the women peeking out

from under their fathers’ names.

The name passed forward

like a cross polished by many hands.

The verb frank means to allow free passage

for man or post. But these Franks

and Franciskas paid with their labor

and their babes buried along the way.

If you read this blog, some of the characters of the book might be familiar to you. And because the project is quite unique I think people passionate about family history, genealogy, history, and local history will probably be particularly interested. Some of the pieces have been published in literary magazines. Combined together, they tell a story of the history of “forgotten” women.

So what are you waiting for? 😉 Go to one of the links and place your order!  And thank you very much.

 

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I’ve written several posts about my grandmother, Lucille Edna Mulder (married name Zuidweg), who was born April 17, 1912, and her high school graduation scrapbook. She graduated from Caledonia High School (Michigan) in 1929.

In those posts, I mentioned that Grandma’s best friend Blanche was class valedictorian, Grandma’s older sister Dorothy was salutatorian, and Grandma–with the 3rd highest GPA–was class historian.

Visiting Mom, I recently found this photograph of Grandma and Dorothy. It’s a tinted photo, and it appears to be the right age to have been taken around the time they graduated high school. It shows the girls with movie star hairstyles.

You can see from the list below (from the scrapbook) who else graduated from CHS in 1929. Look at the proportion of girls to boys! Why was that? Were the boys working the farms and no longer attending school? If so, that’s a shame. What else could account for so few boys graduating? I trust the list because Grandma was, after all, class historian and quite meticulous about recording information.

Maybe this list will help out someone else researching their own family. Good luck!

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https://thefamilykalamazoo.com/2013/01/08/who-put-the-ring-stain-on-the-scrapbook/

https://thefamilykalamazoo.com/2017/04/17/april-17-always-reminds-me-of-grandma/

https://thefamilykalamazoo.com/2015/08/05/grandmas-school-work-late-1920s/

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